Those blue and green bars at the bottom represent the timeline of “Body/Antibody” in its rough cut form. One hour and forty-five minutes on the nose — and how an 85 page screenplay comes in at 1:45 will be a questions we’ll ask for quite some time to come.
Evan has been working on post-production close to every single stinking day since mid-June. And Kerry and I have been on it since late July. For the past few weeks it has been full force — no nights off, no weekends, no rest.
Just a few hours ago we watched it from soup to nuts with no interruption for the first time. The bad news: we’re not done. It needs work. The good news: we all three, individually and independently, had the same global notes — and they were things we weren’t expecting going in. (Turns out the Monopoly scene does work after all!)
We’ve got a week before our first festival submission has to be post-stamped. It’ll be a pre-sound mix/pre-original score version (acceptible) and it will, I firmly believe, be good.
Groovier image here.
