Zippy and zing-ridden Preston Sturges script pretty much laying out the blueprint for his own later “Great McGinty.” A babyfaced Cary Grant falls for the visiting Princess of some made up country (Freedonia?) but is she really just an out-of-work actress who can’t afford the turkey legs at the automat? Sylvia Sidney is adoreable and the scenario (not only repeated in “Great McGinty” but in Kurasawa’s “Kagemusha” and Ivan Retiman’s “Dave”) is filled with laughs and faux tension. A real find.