Part Hitchcock “Wrong Man” suspense picture, part-“Mad Max.” Unfortunately, the transitions between the two are quite jarring, making the whole movie, for me, preposterous. Fun beginning, though.
Welcome
Jordan Hoffman is a New York-based writer and film critic working for The Guardian, Vanity Fair, Thrillist, Times of Israel, NY Daily News and elsewhere.
He is the host of ENGAGE: The Official Star Trek Podcast, a member of the New York Film Critics Circle and challenges you to a game of backgammon.
