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I am not a Tarkovsky scholar, I only know that USUALLY during non-narrative (or highly opaque) films, I start to get restless. But Tarkovsky manages to mesmerize me.

As a sci-fi buff, naturally, I am more likely to want to rewatch Solaris or Stalker, but this meditation on memory – with a virtually impossible to follow plot – somehow manages to hold the interest.

It’s the camera moves, the dripping water, the changing film stocks, the close-ups, the slo-mo, the sense of loss.

Can’t wait to read up on this movie and find out what all that symbolism was actually about.