Score! Fritz Lang’s first American picture is fan-fucking-tastic. I can’t believe this was made in 1936 — before “Citizen Kane.” Strictly on a formal level, this movie employs cinematic devices well ahead of its times. The cuts, dissolves and transitions are spectacular. The story, a rumination, really, on mob violence, stays dark and true, even with its tacked on ending. Never saw this before and real glad now that I have.